114
Fusion of Biomorphic Forms
Akhmetova Aygul
Inje University / Republic of Korea
Embark on a visual journey with the 'Fusion of Biomorphic Forms' fabric pattern. This mesmerizing design seamlessly blends Tatar traditional biomorphic intricate patterns with the organic elegance of real leaf textures. Against a backdrop of genuine leaf imprints, the Tatar-inspired motifs intertwine, weaving a harmonious narrative that pays homage to cultural heritage. The lush green hue, symbolizing nature's vitality, adds depth and meaning to the design. Celebrate the rich tapestry of history and craftsmanship as you drape yourself in this fabric— a testament to the fusion of nature, tradition, and artistry.
Akhmetova Aygul
Inje University / Republic of Korea
Embark on a visual journey with the 'Fusion of Biomorphic Forms' fabric pattern. This mesmerizing design seamlessly blends Tatar traditional biomorphic intricate patterns with the organic elegance of real leaf textures. Against a backdrop of genuine leaf imprints, the Tatar-inspired motifs intertwine, weaving a harmonious narrative that pays homage to cultural heritage. The lush green hue, symbolizing nature's vitality, adds depth and meaning to the design. Celebrate the rich tapestry of history and craftsmanship as you drape yourself in this fabric— a testament to the fusion of nature, tradition, and artistry.
113
The Power of Nature
Do Gyun Kim
Purdue University / USA
Natural forces are more substantial than manufactured forces and brighten a better future. The future natural environment must be handed down more cleanly to our descendants. Through two objects, the power of nature was visualized, and through typography, dynamics were displayed to show a message. Through texture, typography visualizes nature's power, erasing artificial power. The color helps the visual message by emphasizing green, which is suitable for the concept.
Do Gyun Kim
Purdue University / USA
Natural forces are more substantial than manufactured forces and brighten a better future. The future natural environment must be handed down more cleanly to our descendants. Through two objects, the power of nature was visualized, and through typography, dynamics were displayed to show a message. Through texture, typography visualizes nature's power, erasing artificial power. The color helps the visual message by emphasizing green, which is suitable for the concept.
112
Through my window II, 81x50.5cm, Acrylique sur toile, 2023
Eun Ok Hwang
University Paris 1, Panthéon-Sorbonne / France
Through this window, I open myself to the world. Through it, I lock myself in the world. This eye-shaped window lives in my mind. Everything I feel emotions, fear, desire, and banality, remain in the eyes. A gaze is fixed on me, and my gaze is also fixed on him. These looks feed each other. They have become both my obsession and my artistic power. They help me visualize the strangeness in me.
Eun Ok Hwang
University Paris 1, Panthéon-Sorbonne / France
Through this window, I open myself to the world. Through it, I lock myself in the world. This eye-shaped window lives in my mind. Everything I feel emotions, fear, desire, and banality, remain in the eyes. A gaze is fixed on me, and my gaze is also fixed on him. These looks feed each other. They have become both my obsession and my artistic power. They help me visualize the strangeness in me.
111
Lingering Thoughts
Fabian Mora
RMIT University / Australia
Lingering Thoughts is a piece of art I made trying to express what it feels like when your mind is full of questions and worries you can’t answer right away. I was going through a confusing time with lots of thoughts and Ideas from life and work, and I wanted to show what that chaos feels like on the inside.
This artwork aims to show that inner mess, of the cognitive dissonance that arises when overwhelmed with unanswered questions and competing ideas. It’s like a snapshot of what happens in your head when you have so many questions and ideas that you wish you could sort out immediately but you can't. The piece invites viewers to think about their own unanswered questions, making them feel like they are not alone in all of that confusion.
Fabian Mora
RMIT University / Australia
Lingering Thoughts is a piece of art I made trying to express what it feels like when your mind is full of questions and worries you can’t answer right away. I was going through a confusing time with lots of thoughts and Ideas from life and work, and I wanted to show what that chaos feels like on the inside.
This artwork aims to show that inner mess, of the cognitive dissonance that arises when overwhelmed with unanswered questions and competing ideas. It’s like a snapshot of what happens in your head when you have so many questions and ideas that you wish you could sort out immediately but you can't. The piece invites viewers to think about their own unanswered questions, making them feel like they are not alone in all of that confusion.
110
Gold NanMu Tea Tray
Feng ShuNorth China University of Science and Technology / China
Pei LinNorth China University of Science and Technology / China
The structure of the tea tray adopts the traditional Chinese tenon and mortise structure, which is more durable and not easy to fall apart. By inheriting and innovating traditional Chinese patterns in the design of tea tray patterns, the traditional and modern are organically integrated. Inheriting Chinese traditional wood art mortise and tenon structure, innovating and refining Chinese traditional patterns, and inheriting and carrying forward traditional culture based on modern design products. Arouse people's attention to traditional art and culture.
Feng ShuNorth China University of Science and Technology / China
Pei LinNorth China University of Science and Technology / China
The structure of the tea tray adopts the traditional Chinese tenon and mortise structure, which is more durable and not easy to fall apart. By inheriting and innovating traditional Chinese patterns in the design of tea tray patterns, the traditional and modern are organically integrated. Inheriting Chinese traditional wood art mortise and tenon structure, innovating and refining Chinese traditional patterns, and inheriting and carrying forward traditional culture based on modern design products. Arouse people's attention to traditional art and culture.
109
Paisagens do Espírito (Landscapes of the Spirit)
Fernando Augusto Santos Neto
Universidade Federal do Espírito Santo (UFES) / Brazil
Work from the series Landscapes of the Spirit, charcoal, acrylic and nankin on paper, installation drawing, 300x400cm, 2020-21
Landscapes of the spirit is the general title of a drawing project whose purpose is to record, on the one hand, landscapes of the state where I live (which is called the state of Espírito Santo) and, at the same time, the temperament, personality (the state of spirit) of the artist.
Fernando Augusto Santos Neto
Universidade Federal do Espírito Santo (UFES) / Brazil
Work from the series Landscapes of the Spirit, charcoal, acrylic and nankin on paper, installation drawing, 300x400cm, 2020-21
Landscapes of the spirit is the general title of a drawing project whose purpose is to record, on the one hand, landscapes of the state where I live (which is called the state of Espírito Santo) and, at the same time, the temperament, personality (the state of spirit) of the artist.
108
Papilia: The Taste of Original
Hoang Van TruongVietnam
The logo of Papilia the Pasta House expresses the shape of a plate by making the shape of pasta into a line. The yellow color of pasta is used for the symbol, and yellow and orange are used for the text to represent pasta and tomato sauce. “Papilia” is a combination of Pasta + Pizza + Famiglia. So that people can immediately feel the feeling of Italy when they see the brand name, “lia” was added at the end to make it Italian. The yellow color of pasta is used for the symbol, and yellow and orange are used for the text to represent pasta and tomato sauce. Form the shape of the pasta into lines to express the shape of the dish.
Hoang Van TruongVietnam
The logo of Papilia the Pasta House expresses the shape of a plate by making the shape of pasta into a line. The yellow color of pasta is used for the symbol, and yellow and orange are used for the text to represent pasta and tomato sauce. “Papilia” is a combination of Pasta + Pizza + Famiglia. So that people can immediately feel the feeling of Italy when they see the brand name, “lia” was added at the end to make it Italian. The yellow color of pasta is used for the symbol, and yellow and orange are used for the text to represent pasta and tomato sauce. Form the shape of the pasta into lines to express the shape of the dish.
107
Four guardians of the night in Montreal
Hyesun Ko Canada
In Buddhism, the Four Heavenly Kings are powerful deities who act as guardians of the world and protectors against evil. In South Korea, the four guardians are portrayed as warriors holding weapons that trample demons. Temples install their statues at the gates to protect the temple and evoke awe and respect. Each of them guards one of the cardinal points carrying weapons or symbolic objects. The guardian of the East always has a blue face and carries a pipa. The southern guardian bears a red surface and grips a sword in his hand. The Western guardian features a white countenance and is escorted by an Asian dragon and its magic pearl. Lastly, the guardian of the North possesses a black appearance and clutches a small stupa in his hand.At present, the four guardians of the night masquerade as urban wild animals, struggling to coexist with humans while showcasing significant modern symbolic objects before Montreal's inhabitants.Who would have thought that one day these starved, jeered, hunted, and killed creatures would metamorphose into the four divine gatekeepers at the pearly gates of paradise, as well as the arbitrators of humans' karma trying to cross it?
Hyesun Ko Canada
In Buddhism, the Four Heavenly Kings are powerful deities who act as guardians of the world and protectors against evil. In South Korea, the four guardians are portrayed as warriors holding weapons that trample demons. Temples install their statues at the gates to protect the temple and evoke awe and respect. Each of them guards one of the cardinal points carrying weapons or symbolic objects. The guardian of the East always has a blue face and carries a pipa. The southern guardian bears a red surface and grips a sword in his hand. The Western guardian features a white countenance and is escorted by an Asian dragon and its magic pearl. Lastly, the guardian of the North possesses a black appearance and clutches a small stupa in his hand.At present, the four guardians of the night masquerade as urban wild animals, struggling to coexist with humans while showcasing significant modern symbolic objects before Montreal's inhabitants.Who would have thought that one day these starved, jeered, hunted, and killed creatures would metamorphose into the four divine gatekeepers at the pearly gates of paradise, as well as the arbitrators of humans' karma trying to cross it?
106
The Big Catch
Nor Hidayu Mohd Salimi
University Kuala Lumpur, MIT / Malaysia
The Big Catch inspired by a Malaysian folk lore of ‘Ulek Mayang’, a story that has been interpreted into few genres; romance between human-spirit world, tragedy, and shamanism. The artwork also attempts to use the ‘batik painting’ concept as a mean of storytelling expression. The work has been incorporated with AR experience; an exploration of using Spark AR to allow viewers experiencing AR artworks through Instagram and FB filters, though in this case the QR code to view the AR is not included.
Nor Hidayu Mohd Salimi
University Kuala Lumpur, MIT / Malaysia
The Big Catch inspired by a Malaysian folk lore of ‘Ulek Mayang’, a story that has been interpreted into few genres; romance between human-spirit world, tragedy, and shamanism. The artwork also attempts to use the ‘batik painting’ concept as a mean of storytelling expression. The work has been incorporated with AR experience; an exploration of using Spark AR to allow viewers experiencing AR artworks through Instagram and FB filters, though in this case the QR code to view the AR is not included.
105
Rest in Cold
Norariffuddin Bin Abd Rahman
Malaysia
“Rest in Cold", is a pattern of repeating peony blooms in circles. Peony flowers are generally associated with romance, prosperity, good fortune, a happy marriage, riches, honor, and compassion, but the artist took a different approach by coloring the blossoms in dark blue to represent the gloominess and deep pondering that lead to sadness. This is to demonstrate the inverse of the positive meaning of brilliant, lovely peony blossoms. The hue chosen for this artwork represents profound sadness.
Norariffuddin Bin Abd Rahman
Malaysia
“Rest in Cold", is a pattern of repeating peony blooms in circles. Peony flowers are generally associated with romance, prosperity, good fortune, a happy marriage, riches, honor, and compassion, but the artist took a different approach by coloring the blossoms in dark blue to represent the gloominess and deep pondering that lead to sadness. This is to demonstrate the inverse of the positive meaning of brilliant, lovely peony blossoms. The hue chosen for this artwork represents profound sadness.
104
Dynamic Heart
Pei LinNorth China University of Science and Technology / China
Feng ShuNorth China University of Science and Technology / China
Fast-paced life brings convenient services to people, increasing people's mental pressure, from this point of view, design a visual display effect design for people to watch and display. Space panels as the carrier, multi-angle, multi-directional visual impact. The design selects the scrapped car, the most important part of the car - the engine as the main design point, the split re-design, integration elements, extraction of plane figure, re-present in the eyes of the public half three-dimensional visual device.
Pei LinNorth China University of Science and Technology / China
Feng ShuNorth China University of Science and Technology / China
Fast-paced life brings convenient services to people, increasing people's mental pressure, from this point of view, design a visual display effect design for people to watch and display. Space panels as the carrier, multi-angle, multi-directional visual impact. The design selects the scrapped car, the most important part of the car - the engine as the main design point, the split re-design, integration elements, extraction of plane figure, re-present in the eyes of the public half three-dimensional visual device.
103
Natural Radiance
Pier P. Capestrani
Korea University of Technology and Education / Republic of Korea
Hanji appears wet, surprisingly luminous. Reviving an ancient technique to obtain hanji translucency, hanji fibers are infused with natural oil that is left to polymerize. Once employed for early greenhouse engineering, now the translucent material serves as a touching reminder of the limitless potential presented by natural materials.
한지는 촉촉하게 보이며 놀랍도록 빛납니다. 한지의 투명성을 얻기 위해 고대 기술을 부활시키, 한지 섬유에 자연 오일을 주입하여 중합되도록 합니다. 이 기술은 한 때 초기 온실 엔지니어링에 사용되었으나, 이제 반투명한 재료는 자연 소재가 제공하는 무한한 잠재력을 감동적으로 상기시킵니다.
Pier P. Capestrani
Korea University of Technology and Education / Republic of Korea
Hanji appears wet, surprisingly luminous. Reviving an ancient technique to obtain hanji translucency, hanji fibers are infused with natural oil that is left to polymerize. Once employed for early greenhouse engineering, now the translucent material serves as a touching reminder of the limitless potential presented by natural materials.
한지는 촉촉하게 보이며 놀랍도록 빛납니다. 한지의 투명성을 얻기 위해 고대 기술을 부활시키, 한지 섬유에 자연 오일을 주입하여 중합되도록 합니다. 이 기술은 한 때 초기 온실 엔지니어링에 사용되었으나, 이제 반투명한 재료는 자연 소재가 제공하는 무한한 잠재력을 감동적으로 상기시킵니다.
101
BRENTANOBAD: « Rödelheim hat ein Meer! »
Robert Mougenel
University Paris 1, Panthéon-Sorbonne / France
Print from Digital painting
Passing through Frankfurt, I discover this huge and fully accessible swimming pool. I stay there as long as possible to recover strength and movement. And I paint as I can to keep something of this water that scatters light and iridescence on my body and my mind.
Robert Mougenel
University Paris 1, Panthéon-Sorbonne / France
Print from Digital painting
Passing through Frankfurt, I discover this huge and fully accessible swimming pool. I stay there as long as possible to recover strength and movement. And I paint as I can to keep something of this water that scatters light and iridescence on my body and my mind.
100
POPTIMIST
Saeri Dobson
Loyola Marymount University / USA
The museum catalog titled "POPTIMIST" unveils a solo exhibition featuring the captivating artworks of Tim Bavington. This catalog, thoughtfully designed, serves as an artistic conduit to amplify the essence of Bavington's creations. Through meticulous design elements, "POPTIMIST" aspires to offer an immersive visual encounter, enabling the audience to explore the dynamic realm of Bavington's artistry. Beyond a mere display, the catalog curates a visual expedition, inviting viewers to uncover the nuanced interplay of color, form, and emotion that characterizes Tim Bavington's distinctive artistic narrative.
Saeri Dobson
Loyola Marymount University / USA
The museum catalog titled "POPTIMIST" unveils a solo exhibition featuring the captivating artworks of Tim Bavington. This catalog, thoughtfully designed, serves as an artistic conduit to amplify the essence of Bavington's creations. Through meticulous design elements, "POPTIMIST" aspires to offer an immersive visual encounter, enabling the audience to explore the dynamic realm of Bavington's artistry. Beyond a mere display, the catalog curates a visual expedition, inviting viewers to uncover the nuanced interplay of color, form, and emotion that characterizes Tim Bavington's distinctive artistic narrative.
99
Memory Garden
Saeyun JungVAMOS Animation / Germany
Sarah ThibolVAMOS Animation / Germany
Camilo ColmenaresVAMOS Animation / Germany
The project "Garden of Memories" uses VR technology to recreate the Kalk Central Road of Cologne as a virtual garden. In the workshops, participants can engage in this project using the Oculus Quest 2 VR glasses and the Tilt-Brush software.
The intention of this project is to create a new form of exchange through imagination, creativity, and the joint design of public space. It focuses on diversity and related cultural memories. Participants bring to life memories of their hometowns, childhood landscapes, plants, and environments in virtual reality. By visualizing these memories, they make them tangible and share them with each other, creating a shared vision.
프로젝트 '기억의 정원'은 VR 기술을 이용하여 쾰른의 Kalk 중앙로를 가상 정원으로 재현합니다. 워크샵에서는 참가자들은 Oculus Quest 2 VR 안경과 Tilt-Brush 소프트웨어를 사용하여 가상 현실에서 이 프로젝트에 참여 할 수 있습니다. 이 프로젝트의 의도는 상상력, 창의성 및 공공 공간의 공동 디자인을 통해 새로운 교류의 형태를 창출하는 것이며 이를 위해 다양성과 그에 관련된 문화적 기억을 주제로 다루고 있습니다.참가자들은 가상 현실에서 기억속에 있는 고향이나 어린 시절의 풍경과 식물, 환경에 대한 기억들을 그림으로서 그 기억들을 현실화 시키고 그것들을 서로 공유하며 공통의 비전을 만듭니다.
Saeyun JungVAMOS Animation / Germany
Sarah ThibolVAMOS Animation / Germany
Camilo ColmenaresVAMOS Animation / Germany
The project "Garden of Memories" uses VR technology to recreate the Kalk Central Road of Cologne as a virtual garden. In the workshops, participants can engage in this project using the Oculus Quest 2 VR glasses and the Tilt-Brush software.
The intention of this project is to create a new form of exchange through imagination, creativity, and the joint design of public space. It focuses on diversity and related cultural memories. Participants bring to life memories of their hometowns, childhood landscapes, plants, and environments in virtual reality. By visualizing these memories, they make them tangible and share them with each other, creating a shared vision.
프로젝트 '기억의 정원'은 VR 기술을 이용하여 쾰른의 Kalk 중앙로를 가상 정원으로 재현합니다. 워크샵에서는 참가자들은 Oculus Quest 2 VR 안경과 Tilt-Brush 소프트웨어를 사용하여 가상 현실에서 이 프로젝트에 참여 할 수 있습니다. 이 프로젝트의 의도는 상상력, 창의성 및 공공 공간의 공동 디자인을 통해 새로운 교류의 형태를 창출하는 것이며 이를 위해 다양성과 그에 관련된 문화적 기억을 주제로 다루고 있습니다.참가자들은 가상 현실에서 기억속에 있는 고향이나 어린 시절의 풍경과 식물, 환경에 대한 기억들을 그림으로서 그 기억들을 현실화 시키고 그것들을 서로 공유하며 공통의 비전을 만듭니다.
98
Nanoscape #108
Seon-Hye Jeong
University Paris 1, Panthéon-Sorbonne / France
Digital print from 3D imageThis imaginary landscape explores extreme changes of scale. It is inspired by images from electron microscopes and continues the Nanoscape Project that I initiated a few years ago with other researchers.
Seon-Hye Jeong
University Paris 1, Panthéon-Sorbonne / France
Digital print from 3D imageThis imaginary landscape explores extreme changes of scale. It is inspired by images from electron microscopes and continues the Nanoscape Project that I initiated a few years ago with other researchers.
97
Brand image design of homing tribal tourist attractions
Shen Yi
North China University of Science and Technology / China
Wu Jing
North China University of Science and Technology / China
Rich in chestnut culture, mainly creating a harmonious space to experience the life of chestnut township and feel the chestnut culture. The brand image design fully investigates the characteristics of the park, the logo design reflects the primitive tribal style of the countryside, and the color collocation has both the mystery of the primitive tribe, but also has a lively atmosphere. The design of IP image to create a chestnut family, the main reception of the scenic spot is for parent-child travel, a set of amiable IP image, can be more attractive and affinity.
Shen Yi
North China University of Science and Technology / China
Wu Jing
North China University of Science and Technology / China
Rich in chestnut culture, mainly creating a harmonious space to experience the life of chestnut township and feel the chestnut culture. The brand image design fully investigates the characteristics of the park, the logo design reflects the primitive tribal style of the countryside, and the color collocation has both the mystery of the primitive tribe, but also has a lively atmosphere. The design of IP image to create a chestnut family, the main reception of the scenic spot is for parent-child travel, a set of amiable IP image, can be more attractive and affinity.
96
A Journey of Expression: Harmony & Disso-nance
Soo Hostetler
University of Northern Iowa / USA
We see type everywhere. One aspect of the remarkable power of presenting type is the expressions of their physical gestures that can function powerfully as rhythmic visual imagery not only as narrative communication. The power of typographic vis-ual communication is its ability to express unbounded dimensions of emotion that dialogue with the beautiful world we live in.
This design is one of 26 letterforms abstract designs in a series where this designer utilizes letterform to communicate experiences and emotions that have arisen in this designer’s life. The use of typography is the primary means of presenting ideas and messages for expressive communication in design. Each typeface has its own aes- thetic, expressive qualities, as evidenced by the visual attributes of its letterforms. Displaying type as a form provides a sense of the letterform's unique characteris-tics, abstract presentation and expressive quality. The title of the design, “A Journey of Expression: Harmony & Dissonance”, utilizes “V” letterform to represent a journey of experiences and expression of my life. My experiences and emotional sensibilities of life serve as the basis for the design of subjective and abstracted visual expres-sion that brings a wide range of circumstances to my surroundings.
Soo Hostetler
University of Northern Iowa / USA
We see type everywhere. One aspect of the remarkable power of presenting type is the expressions of their physical gestures that can function powerfully as rhythmic visual imagery not only as narrative communication. The power of typographic vis-ual communication is its ability to express unbounded dimensions of emotion that dialogue with the beautiful world we live in.
This design is one of 26 letterforms abstract designs in a series where this designer utilizes letterform to communicate experiences and emotions that have arisen in this designer’s life. The use of typography is the primary means of presenting ideas and messages for expressive communication in design. Each typeface has its own aes- thetic, expressive qualities, as evidenced by the visual attributes of its letterforms. Displaying type as a form provides a sense of the letterform's unique characteris-tics, abstract presentation and expressive quality. The title of the design, “A Journey of Expression: Harmony & Dissonance”, utilizes “V” letterform to represent a journey of experiences and expression of my life. My experiences and emotional sensibilities of life serve as the basis for the design of subjective and abstracted visual expres-sion that brings a wide range of circumstances to my surroundings.
95
Point, Line and Plane
Sooyun Im
California State Polytechnic University / USA
This series of compositions explores the geometric elements: Point, Line, Plane and their expressive qualities. These compositions are inspired by Kandinsky’s abstract paintings: The point which is the beginning of a shape, the line which has a direction, and the plane which creates a space, are the most basic building blocks of composition; everything else is made of these fundamental forms. Image, energy, rhythm, visual language, and emotional impact all begin with point, line, and plane. A mass of points forms a line and lines become planes. Line exhibits an immediate sense of intention and belief. The encounters between lines, planes, colors, textures, and geometric forms on an asymmetrical grid radiate energy from within. This compositional series is imbued with the power of point, line, and plane, combined with subjective effects created by their orientations and various formal qualities.
Sooyun Im
California State Polytechnic University / USA
This series of compositions explores the geometric elements: Point, Line, Plane and their expressive qualities. These compositions are inspired by Kandinsky’s abstract paintings: The point which is the beginning of a shape, the line which has a direction, and the plane which creates a space, are the most basic building blocks of composition; everything else is made of these fundamental forms. Image, energy, rhythm, visual language, and emotional impact all begin with point, line, and plane. A mass of points forms a line and lines become planes. Line exhibits an immediate sense of intention and belief. The encounters between lines, planes, colors, textures, and geometric forms on an asymmetrical grid radiate energy from within. This compositional series is imbued with the power of point, line, and plane, combined with subjective effects created by their orientations and various formal qualities.
94
A VIRTUAL PRESERVATION OF MALAYSIA’S TRADITIONAL HEADDRESS: THE PERAK SERIES
Suhaili Din
Universiti Kuala Lumpur / Malaysia
Nurul Batrisyia Izzati Aziz
Universiti Kuala Lumpur / Malaysia
Malaysia consists of 14 states. Each state has its own distinctive style of traditional headdress, which has been handed down through the generations for both men and women. The headgear is typically worn at cultural ceremonies. As part of the initiatives to digitally archive the cultural heritage items, the artwork serves as a virtual preservation of the traditional headdresses. These headpieces are from Perak, a state in Malaysia that is located on the western part of the Peninsula. Purple is Perak's royal color, and it can be seen in the "Songket" material used to make the "Tengkolok" male headgear. The female headgear design, which was originally made of gold, represented the beauty and strength of Perak's ladies.
Suhaili Din
Universiti Kuala Lumpur / Malaysia
Nurul Batrisyia Izzati Aziz
Universiti Kuala Lumpur / Malaysia
Malaysia consists of 14 states. Each state has its own distinctive style of traditional headdress, which has been handed down through the generations for both men and women. The headgear is typically worn at cultural ceremonies. As part of the initiatives to digitally archive the cultural heritage items, the artwork serves as a virtual preservation of the traditional headdresses. These headpieces are from Perak, a state in Malaysia that is located on the western part of the Peninsula. Purple is Perak's royal color, and it can be seen in the "Songket" material used to make the "Tengkolok" male headgear. The female headgear design, which was originally made of gold, represented the beauty and strength of Perak's ladies.
93
Flourishing in the Age of AI
Terry Dobson
Azusa Pacific University / USA
Nestled against the serrated mountain backdrop of a Californian foothill paradise is a sacred place of Christian teaching & learning. The beauty of Azusa Pacific as a university is also reflected in its commitment to developing a deep discourse on diversity, equity, and inclusion. By engaging a variety of perspectives, fostering faith, and embracing active listening in a spirit of humility, APU advocates God’s love for all people (John 3:16). Within the subdued radiance of its picturesque campus, APU College of the Arts thrives on diverse artistry grounded in authentic faith. Design students leverage their creativity to serve departments across campus by working alongside faculty on real world projects.
Korean student, Yeji Choi collaboratively designed this poster with me for the College of Liberal Arts & Sciences’ symposium, which visually depicts the positive benefits of the impact of Artificial Intelligence on human flourishing.
Terry Dobson
Azusa Pacific University / USA
Nestled against the serrated mountain backdrop of a Californian foothill paradise is a sacred place of Christian teaching & learning. The beauty of Azusa Pacific as a university is also reflected in its commitment to developing a deep discourse on diversity, equity, and inclusion. By engaging a variety of perspectives, fostering faith, and embracing active listening in a spirit of humility, APU advocates God’s love for all people (John 3:16). Within the subdued radiance of its picturesque campus, APU College of the Arts thrives on diverse artistry grounded in authentic faith. Design students leverage their creativity to serve departments across campus by working alongside faculty on real world projects.
Korean student, Yeji Choi collaboratively designed this poster with me for the College of Liberal Arts & Sciences’ symposium, which visually depicts the positive benefits of the impact of Artificial Intelligence on human flourishing.
92
Spider Rescue Robot
Wang Ying
North China University of Science and Technology / China
Wang Zhenxing
North China University of Science and Technology / China
The first priority after an earthquake is to find survivors and get them out to provide medical care, and in a recent survey the optimal rescue time is 48 hours. After 48 hours, the survival rate decreases. Rescue missions are greatly hampered by the lack of information about the situation under the rubble and the possibility of secondary injuries at any time, under these circumstances. In the insect world, spiders have excellent crawling and climbing abilities, Mimic the shape of a rescue robot to that of a spider and add infrared scanning detection capabilities.There is a metal shell wrapped around the six legs of the Spider Robot to make it more solid when crawling in the mountainous areas, and a rotating axis at the turn of the legs to make it adaptable to crawling and detecting in all kinds of locations. The instrument can replace artificial search and rescue, through infrared scanning through obstacles, accurate detection of the location of people trapped at the disaster site, to solve the inefficiency of the human work industry led to the loss of life.
Wang Ying
North China University of Science and Technology / China
Wang Zhenxing
North China University of Science and Technology / China
The first priority after an earthquake is to find survivors and get them out to provide medical care, and in a recent survey the optimal rescue time is 48 hours. After 48 hours, the survival rate decreases. Rescue missions are greatly hampered by the lack of information about the situation under the rubble and the possibility of secondary injuries at any time, under these circumstances. In the insect world, spiders have excellent crawling and climbing abilities, Mimic the shape of a rescue robot to that of a spider and add infrared scanning detection capabilities.There is a metal shell wrapped around the six legs of the Spider Robot to make it more solid when crawling in the mountainous areas, and a rotating axis at the turn of the legs to make it adaptable to crawling and detecting in all kinds of locations. The instrument can replace artificial search and rescue, through infrared scanning through obstacles, accurate detection of the location of people trapped at the disaster site, to solve the inefficiency of the human work industry led to the loss of life.
91
Position Guidance Plug
Wei Hongxuan
North China University of Science and Technology / China
Wang Zhenxing
North China University of Science and Technology / China
A position guided plug based on universal design, guided by groove tracks, simplifies and standardizes the insertion path, providing convenience for people with visual impairments, facilitating users to operate in dark environments, and facilitating the use of elderly people with hand muscle recession and cerebellar atrophy. The metal plate of the plug slides into the track to avoid contact between fingers and the metal position, improving the safety of electricity usage.The reserved track saves materials and effort, improves the user experience while maintaining the original production cost, and is suitable for market circulation plugs, facilitating integration into the home environment.
Wei Hongxuan
North China University of Science and Technology / China
Wang Zhenxing
North China University of Science and Technology / China
A position guided plug based on universal design, guided by groove tracks, simplifies and standardizes the insertion path, providing convenience for people with visual impairments, facilitating users to operate in dark environments, and facilitating the use of elderly people with hand muscle recession and cerebellar atrophy. The metal plate of the plug slides into the track to avoid contact between fingers and the metal position, improving the safety of electricity usage.The reserved track saves materials and effort, improves the user experience while maintaining the original production cost, and is suitable for market circulation plugs, facilitating integration into the home environment.
90
Emotional Children Air Purifier Product Design
Xia Mengting
North China University of Science and Technology / China
Wang Zhenxing
North China University of Science and Technology / China
This air purifier is designed for children. Since it is difficult for children to understand the parametric expression presented by the digital panel, this product uses vivid bird images and dynamic expressions to express air quality and stimulate children's awareness of environmental and biological protection. By identifying the quality of the air in the room, children can understand the relationship between the environment and living things.
Xia Mengting
North China University of Science and Technology / China
Wang Zhenxing
North China University of Science and Technology / China
This air purifier is designed for children. Since it is difficult for children to understand the parametric expression presented by the digital panel, this product uses vivid bird images and dynamic expressions to express air quality and stimulate children's awareness of environmental and biological protection. By identifying the quality of the air in the room, children can understand the relationship between the environment and living things.
89
Demure as a Maiden and Quick as a Rabbit
Yang Wen
North China University of Science and Technology/ China
It means that when it is quiet, it is like a gentle maiden, and when it moves, it is agile like a rabbit. When the army is not moving, it is calm and cautious, and it is like a running rabbit that moves quickly and vigorously. It can also be used to describe a person or thing. According to the meaning of the proverb, the original story is redrawn and presented as a cartoon on the poster.
Yang Wen
North China University of Science and Technology/ China
It means that when it is quiet, it is like a gentle maiden, and when it moves, it is agile like a rabbit. When the army is not moving, it is calm and cautious, and it is like a running rabbit that moves quickly and vigorously. It can also be used to describe a person or thing. According to the meaning of the proverb, the original story is redrawn and presented as a cartoon on the poster.
88
Mascot Design—“Kun”
Zhang Qi
North China University of Science and Technology / China
The design is based on the ancient Chinese mythical animal "Kun" as the creative prototype, combined with the characteristics of the children's character to carry out the anthropomorphic design, the traditional Chinese auspicious patterns are added to the design of the mascot, and the traditional Chinese twenty-four solar terms poster is designed with the mascot as the theme. Highlighting traditional Chinese culture.
Zhang Qi
North China University of Science and Technology / China
The design is based on the ancient Chinese mythical animal "Kun" as the creative prototype, combined with the characteristics of the children's character to carry out the anthropomorphic design, the traditional Chinese auspicious patterns are added to the design of the mascot, and the traditional Chinese twenty-four solar terms poster is designed with the mascot as the theme. Highlighting traditional Chinese culture.
87
Design of community children's idle supplies replacement system
Zhang Xiaoyun
North China University of Science and Technology /China
Wang Zhenxing
North China University of Science and Technology / China
The starting point of the design of this program is to solve the problem of idle resources for children's products. Integrate the resources of children's products, so as to achieve the goal of rational use of children's idle products. The main design methods and strategies used in this topic include: user journey map, character analysis, story version, brainstorming and other design methods. The final output is the design of the community children's idle supplies replacement system.This program is designed for the reuse of idle children's products. Through the product combination of "hardware + mobile phone software", the reuse of idle items is completed.
Zhang Xiaoyun
North China University of Science and Technology /China
Wang Zhenxing
North China University of Science and Technology / China
The starting point of the design of this program is to solve the problem of idle resources for children's products. Integrate the resources of children's products, so as to achieve the goal of rational use of children's idle products. The main design methods and strategies used in this topic include: user journey map, character analysis, story version, brainstorming and other design methods. The final output is the design of the community children's idle supplies replacement system.This program is designed for the reuse of idle children's products. Through the product combination of "hardware + mobile phone software", the reuse of idle items is completed.
86
《Castle peak》·Celadon tea set design
Zhou Yanling
North China University of Science and Technology / China
Zhao Xin
North China University of Science and Technology / China
The Korean inlay ceramic technique is innovatively reused, combined with the beauty of traditional Chinese celadon and the traditional Xuanwen elements of Chinese ceramics, through the consideration of the shape of tea sets, combined with the unique gentle material language of ceramic materials.Let the design of the whole set of tea sets reflect a natural and simple formal beauty.
Zhou Yanling
North China University of Science and Technology / China
Zhao Xin
North China University of Science and Technology / China
The Korean inlay ceramic technique is innovatively reused, combined with the beauty of traditional Chinese celadon and the traditional Xuanwen elements of Chinese ceramics, through the consideration of the shape of tea sets, combined with the unique gentle material language of ceramic materials.Let the design of the whole set of tea sets reflect a natural and simple formal beauty.
85
Fuctional Tableware Project
공남윤Namyoon Kong
Chung-Ang University / Republic of Korea
The tableware becomes even more meaningful, especially for elderly individuals with physical discomfort. However, finding functional tableware can be challenging, and the cost can be burdensome. The 'Functional Tableware' project aims to provide convenience and enjoyment in everyday dining through a design that emphasizes usability and practicality, offering a differentiated approach compared to traditional tableware.
일상생활 필수품인 테이블웨어는 오랜 역사와 중요성을 지니고 있으며, 특히 몸이 불편한 어르신들에게는 더욱 큰 의미를 가지게 된다. 하지만 기능성 테이블웨어를 찾기는 어렵고, 가격도 부담스러운 경우가 많다. 'Functional Tableware’ 프로젝트는 사용성과 실용성이 강조된 기능성 테이블웨어 제품으로 기존과 차별화된 디자인 제안을 통하여 식사 시 편리함과 즐거움을 전달하고자 하였다.
공남윤Namyoon Kong
Chung-Ang University / Republic of Korea
The tableware becomes even more meaningful, especially for elderly individuals with physical discomfort. However, finding functional tableware can be challenging, and the cost can be burdensome. The 'Functional Tableware' project aims to provide convenience and enjoyment in everyday dining through a design that emphasizes usability and practicality, offering a differentiated approach compared to traditional tableware.
일상생활 필수품인 테이블웨어는 오랜 역사와 중요성을 지니고 있으며, 특히 몸이 불편한 어르신들에게는 더욱 큰 의미를 가지게 된다. 하지만 기능성 테이블웨어를 찾기는 어렵고, 가격도 부담스러운 경우가 많다. 'Functional Tableware’ 프로젝트는 사용성과 실용성이 강조된 기능성 테이블웨어 제품으로 기존과 차별화된 디자인 제안을 통하여 식사 시 편리함과 즐거움을 전달하고자 하였다.
84
Ulleungdo
김금영Gumyoung Kim
Seowon University / Republic of Korea
The Ulleungdo Project is a project to create a virtual world of the Ulleungdo Nari Basin using Unity, a game engine. We first created the terrain with Unity's Terrain funtion, and then constructed the entire background using natural objects such as trees and grasses from Megascans. Insects, scarecrows, and Ulleungdo Neowajip was modeled in Maya, a 3D graphics program, and shaders were composed using Unity's URP render pipeline.
울릉도 프로젝트는 게임엔진인 유니티를 이용해 울릉도 나리분지를 가상세계로 만들어 본 프로젝트이다. 유니티의 Terrain으로 지대를 먼저 만들고, 메가스캔 등에서 필요한 나무와 풀 등의 자연물을 활용해 전체 배경을 구성했다. 곤충과 허수아비, 울릉도 너와집 등은 3D그래픽프로그램 마야에서 기본적인 모델링을 하고 유니티의 URP 렌더 파이프라인으로 쉐이더를 구성해 완성했다.
김금영Gumyoung Kim
Seowon University / Republic of Korea
The Ulleungdo Project is a project to create a virtual world of the Ulleungdo Nari Basin using Unity, a game engine. We first created the terrain with Unity's Terrain funtion, and then constructed the entire background using natural objects such as trees and grasses from Megascans. Insects, scarecrows, and Ulleungdo Neowajip was modeled in Maya, a 3D graphics program, and shaders were composed using Unity's URP render pipeline.
울릉도 프로젝트는 게임엔진인 유니티를 이용해 울릉도 나리분지를 가상세계로 만들어 본 프로젝트이다. 유니티의 Terrain으로 지대를 먼저 만들고, 메가스캔 등에서 필요한 나무와 풀 등의 자연물을 활용해 전체 배경을 구성했다. 곤충과 허수아비, 울릉도 너와집 등은 3D그래픽프로그램 마야에서 기본적인 모델링을 하고 유니티의 URP 렌더 파이프라인으로 쉐이더를 구성해 완성했다.
83
Bauhaus's : Photos or Digital works?
김민경Min-Kyoung Kim
Gwangju University / Republic of Korea
History is data on ‘other peoples' experiences'. By design, we can indirectly experience time and learn about the theories of designers' relevant approaches. We will be able to grasp what is to come tomorrow through design principles transcending time and space.Designers are at the center of pursuing aesthetics amidst changes in trends. Even though the boundaries of time and knowledge have expanded, designers should not be trapped by scalability. A designer in the era of the 4th industrial revolution could collaborate with AI to showcase creativity and innovation, leveraging their understanding and empathy for users.
역사는 '다른 사람들의 경험' 데이터다. 디자인을 통해 해당 시간을 간접 경험할 수 있고, 디자이너의 근거 이론을 배울 수 있다. 시대를 뛰어넘은 디자인 원칙을 통해 다음을 예측할 수 있을 것이다. 디자이너는 트렌드의 변화 속에서 미학을 추구할 수 있는 중심에 있다. 시간과 지식의 경계가 확장되었으나 오히려 확장성에 갇히는 디자이너가 되지 않아야 할 것이다. 4차 산업혁명 시대의 디자이너로서 AI와 협업하여 창의력을 발휘하고 사용자에 대한 이해와 공감 능력을 바탕으로 혁신을 이루어 나가길 바란다.
김민경Min-Kyoung Kim
Gwangju University / Republic of Korea
History is data on ‘other peoples' experiences'. By design, we can indirectly experience time and learn about the theories of designers' relevant approaches. We will be able to grasp what is to come tomorrow through design principles transcending time and space.Designers are at the center of pursuing aesthetics amidst changes in trends. Even though the boundaries of time and knowledge have expanded, designers should not be trapped by scalability. A designer in the era of the 4th industrial revolution could collaborate with AI to showcase creativity and innovation, leveraging their understanding and empathy for users.
역사는 '다른 사람들의 경험' 데이터다. 디자인을 통해 해당 시간을 간접 경험할 수 있고, 디자이너의 근거 이론을 배울 수 있다. 시대를 뛰어넘은 디자인 원칙을 통해 다음을 예측할 수 있을 것이다. 디자이너는 트렌드의 변화 속에서 미학을 추구할 수 있는 중심에 있다. 시간과 지식의 경계가 확장되었으나 오히려 확장성에 갇히는 디자이너가 되지 않아야 할 것이다. 4차 산업혁명 시대의 디자이너로서 AI와 협업하여 창의력을 발휘하고 사용자에 대한 이해와 공감 능력을 바탕으로 혁신을 이루어 나가길 바란다.
82
Beyond the Spiral Cloud
김민정Minjung Kim
Hanyang Cyber University / Republic of Korea
Recently, the global community has faced extreme climatic shifts largely attributed to carbon dioxide (CO2) emissions. This study visually represents the annual CO2 emissions of the top 20 nations from 2011 to 2020. The winged design of 'spirals' indicates temporal variations, with black-highlighted points marking peak emission years for each country. The chart also displays GDP and population data, while the circles linked to 'spirals' signify the respective year's average CO2 emissions.* This work was supported by the Ministry of Education of the Republic of Korea and the National Research Foundation of Korea(NRF-2022S1A5A8052686)
김민정Minjung Kim
Hanyang Cyber University / Republic of Korea
Recently, the global community has faced extreme climatic shifts largely attributed to carbon dioxide (CO2) emissions. This study visually represents the annual CO2 emissions of the top 20 nations from 2011 to 2020. The winged design of 'spirals' indicates temporal variations, with black-highlighted points marking peak emission years for each country. The chart also displays GDP and population data, while the circles linked to 'spirals' signify the respective year's average CO2 emissions.* This work was supported by the Ministry of Education of the Republic of Korea and the National Research Foundation of Korea(NRF-2022S1A5A8052686)
81
A chair as a loose unity 01
김상규Sang-kyu Kim
Seoul National University of Science and Technology / Republic of Korea
Chairs are more than just things to sit on. Designers design chairs for each purpose, but sometimes chairs appear for a different reason. This chair is the result of assembling materials that existed for different purposes and then became obsolete for some reason. Even if it's just warped plywood and scrap wood, they provide a clue: the object has room for events to happen, so it's true that the essence of the object is the future. As Timothy Morton argues, objects are spatialized by other beings and around each object there is a potentially infinite progression to other objects.
의자는 앉기 위한 사물 그 이상이다. 디자이너가 특정한 목적에 따라 의자를 디자인하지만 다른 이유로 의자가 나타나기도 한다. 이 의자는 각각 다른 목적으로 존재하다가 어떤 이유로 디자이너에게 쓸모없어진 재료들을 결합한 결과물이다. 휘어진 합판과 옹이가 있는 각재라도 그것들은 어떤 단서를 제공한 다. 즉, 그 사물에는 사건이 일어날 여지가 있으니 사물의 본질은 미래라는 말이 맞다. 티머시 모턴의 주장대로, “객체는 다른 존재자들에 의해 공간화”되고 “각각의 객체 주위에는 다른 객체로의 잠재적으로 무한한 진행이 있다”.
김상규Sang-kyu Kim
Seoul National University of Science and Technology / Republic of Korea
Chairs are more than just things to sit on. Designers design chairs for each purpose, but sometimes chairs appear for a different reason. This chair is the result of assembling materials that existed for different purposes and then became obsolete for some reason. Even if it's just warped plywood and scrap wood, they provide a clue: the object has room for events to happen, so it's true that the essence of the object is the future. As Timothy Morton argues, objects are spatialized by other beings and around each object there is a potentially infinite progression to other objects.
의자는 앉기 위한 사물 그 이상이다. 디자이너가 특정한 목적에 따라 의자를 디자인하지만 다른 이유로 의자가 나타나기도 한다. 이 의자는 각각 다른 목적으로 존재하다가 어떤 이유로 디자이너에게 쓸모없어진 재료들을 결합한 결과물이다. 휘어진 합판과 옹이가 있는 각재라도 그것들은 어떤 단서를 제공한 다. 즉, 그 사물에는 사건이 일어날 여지가 있으니 사물의 본질은 미래라는 말이 맞다. 티머시 모턴의 주장대로, “객체는 다른 존재자들에 의해 공간화”되고 “각각의 객체 주위에는 다른 객체로의 잠재적으로 무한한 진행이 있다”.
80
Memories of New York's 5th Ave
김생자Sangja Kim
Konkuk University / Republic of Korea
Currently, the world communicates beyond time and space through digital networks, and the world of technology increasingly pursues humanity and longs for analog sensibility. Reminiscent of the memories of New York's Fifth Avenue at the end of the century, this work uses various analog tools such as watercolor paper, brushes, marker pens, and pencils to reinterpret the New Yorker style of Y2K sensibility into a Newtro style fashion illustration.
현재 세계는 디지털 네트워크로 시공을 초월하여 소통하고 있고, 테크놀로지 세상 속에서 점점 더 휴머니티를 찾고 아날로그적 감성을 갈망한다. 본 작품에서는 세기말 뉴욕 5번가의 추억을 떠올리며, 수채화 종이와 붓, 연필, 마카펜이라는 아날로그적 다양한 도구를 활용해 손맛을 제대로 느낄 수 있는 Y2K 감성의 뉴요커 스타일을 뉴트로풍의 패션 일러스트레이션으로 재해석하여 표현하고자 하였다.
김생자Sangja Kim
Konkuk University / Republic of Korea
Currently, the world communicates beyond time and space through digital networks, and the world of technology increasingly pursues humanity and longs for analog sensibility. Reminiscent of the memories of New York's Fifth Avenue at the end of the century, this work uses various analog tools such as watercolor paper, brushes, marker pens, and pencils to reinterpret the New Yorker style of Y2K sensibility into a Newtro style fashion illustration.
현재 세계는 디지털 네트워크로 시공을 초월하여 소통하고 있고, 테크놀로지 세상 속에서 점점 더 휴머니티를 찾고 아날로그적 감성을 갈망한다. 본 작품에서는 세기말 뉴욕 5번가의 추억을 떠올리며, 수채화 종이와 붓, 연필, 마카펜이라는 아날로그적 다양한 도구를 활용해 손맛을 제대로 느낄 수 있는 Y2K 감성의 뉴요커 스타일을 뉴트로풍의 패션 일러스트레이션으로 재해석하여 표현하고자 하였다.
79
Art up Seoul - Brand
김선관Sunkwan Kim
LINE / Republic of Korea
The event "ARTUP SEOUL", a collaboration project by the City of Seoul and Weenu, runs at Cheonggyecheon. This theme is "art, space, and experience". I took the abstract, simple, and modern elements of Mondrian art as an inspiration for the event's design concept. "Mondrian." Festive and simple, the modern Mondrian project was created for the Artup Seoul brand.
서울시와 위누의 협업 프로젝트인 '아트업 서울' 행사가 청계천에서 열립니다. 이번 주제는 '예술, 공간, 경험'입니다. 몬드리안 미술의 추상적이고 단순하며 현대적인 요소에서 영감을 받아 행사 디자인 콘셉트를 잡았습니다. "몬드리안." 축제적이고 심플한 모던 몬드리안 프로젝트는 아트업 서울 브랜드를 위해 만들어졌습니다.
김선관Sunkwan Kim
LINE / Republic of Korea
The event "ARTUP SEOUL", a collaboration project by the City of Seoul and Weenu, runs at Cheonggyecheon. This theme is "art, space, and experience". I took the abstract, simple, and modern elements of Mondrian art as an inspiration for the event's design concept. "Mondrian." Festive and simple, the modern Mondrian project was created for the Artup Seoul brand.
서울시와 위누의 협업 프로젝트인 '아트업 서울' 행사가 청계천에서 열립니다. 이번 주제는 '예술, 공간, 경험'입니다. 몬드리안 미술의 추상적이고 단순하며 현대적인 요소에서 영감을 받아 행사 디자인 콘셉트를 잡았습니다. "몬드리안." 축제적이고 심플한 모던 몬드리안 프로젝트는 아트업 서울 브랜드를 위해 만들어졌습니다.
78
Veggie Moon
김연지Yeunji Kim
Sookmyung Women's University / Republic of Korea
"Veggie Moon" is a third-person space shooter game developed as part of my Master's program at RMIT University. Planet Veggie is under threat from carnivorous alien species. Moon, Veggie's valiant warrior and heroine, combats these invaders while seeking a new vegetarian haven for her people. Unlike typical shooters focused on high scores through enemy kills, "Veggie Moon" promotes reaching the destination with minimal conflict, highlighting the life-respecting altruism of Veggie's denizens. The game's graphics meld vibrant colors and unique designs, enhancing player immersion. Inspired by contemporary ecological issues, it urges players to think critically about harmony and coexistence.
"Veggie Moon"은 RMIT 대학교 석사 과정 중 개발한 3인칭 우주 슈팅 게임입니다. 'Veggie' 행성은 육식 외계 생명체의 위협에 처해 있습니다. 'Moon', 행성의 용감한 전사, 이 침략자들을 막으면서 채식 주의자들의 안식처를 찾습니다. 일반 슈팅 게임과 달리, "Veggie Moon"은 적을 최소한으로 해치며 목적지에 도달하는 것을 강조합니다. 게임의 화려한 그래픽은 플레이어의 몰입도를 높이며, 현대의 환경 문제에 영감을 받아, 조화와 공존에 대해 플레이어에게 깊게 생각하게 합니다.
김연지Yeunji Kim
Sookmyung Women's University / Republic of Korea
"Veggie Moon" is a third-person space shooter game developed as part of my Master's program at RMIT University. Planet Veggie is under threat from carnivorous alien species. Moon, Veggie's valiant warrior and heroine, combats these invaders while seeking a new vegetarian haven for her people. Unlike typical shooters focused on high scores through enemy kills, "Veggie Moon" promotes reaching the destination with minimal conflict, highlighting the life-respecting altruism of Veggie's denizens. The game's graphics meld vibrant colors and unique designs, enhancing player immersion. Inspired by contemporary ecological issues, it urges players to think critically about harmony and coexistence.
"Veggie Moon"은 RMIT 대학교 석사 과정 중 개발한 3인칭 우주 슈팅 게임입니다. 'Veggie' 행성은 육식 외계 생명체의 위협에 처해 있습니다. 'Moon', 행성의 용감한 전사, 이 침략자들을 막으면서 채식 주의자들의 안식처를 찾습니다. 일반 슈팅 게임과 달리, "Veggie Moon"은 적을 최소한으로 해치며 목적지에 도달하는 것을 강조합니다. 게임의 화려한 그래픽은 플레이어의 몰입도를 높이며, 현대의 환경 문제에 영감을 받아, 조화와 공존에 대해 플레이어에게 깊게 생각하게 합니다.
77
Height-adjustable Universal Shower Head
김원섭Won-Sup Kim
Seoul National University of Science and Technology / Republic of Korea
This product is a universal showerhead designed for height adjustment using a drag chain wire carrier. Inside the ring-shaped body of the main unit, there is a drag chain wire carrier that operates like a pulley mechanism. Inside the drag chain wire carrier, there is a water supply unit and a showerhead connected by a hose. When the user holds the ring part of the body and moves it up and down by hand, the showerhead moves twice the distance of the user's hand movement. This product can be used to accommodate various users' physical conditions and usage preferences.
이 제품은 드래그 체인 와이어 캐리어를 사용하여 높이 조절이 가능하도록 디자인한 유니버설 샤워기이다. 본체의 링 형상 내부에는 풀리 메커니즘처럼 작동하는 드래그 체인 와이어 캐리어가 설치되어 있다. 드래그 체인 와이어 캐리어 내부에는 수전과 샤워 헤드가 호스로 연결되어 있다. 사용자가 본체의 링 부분을 손으로 잡고 위 아래로 움직이면 샤워 헤드는 움직인 거리의 2배만큼 이동한다. 이 제품은 다양한 사용자의 신체 조건과 사용 행태에 대응하여 사용할 수 있다.
김원섭Won-Sup Kim
Seoul National University of Science and Technology / Republic of Korea
This product is a universal showerhead designed for height adjustment using a drag chain wire carrier. Inside the ring-shaped body of the main unit, there is a drag chain wire carrier that operates like a pulley mechanism. Inside the drag chain wire carrier, there is a water supply unit and a showerhead connected by a hose. When the user holds the ring part of the body and moves it up and down by hand, the showerhead moves twice the distance of the user's hand movement. This product can be used to accommodate various users' physical conditions and usage preferences.
이 제품은 드래그 체인 와이어 캐리어를 사용하여 높이 조절이 가능하도록 디자인한 유니버설 샤워기이다. 본체의 링 형상 내부에는 풀리 메커니즘처럼 작동하는 드래그 체인 와이어 캐리어가 설치되어 있다. 드래그 체인 와이어 캐리어 내부에는 수전과 샤워 헤드가 호스로 연결되어 있다. 사용자가 본체의 링 부분을 손으로 잡고 위 아래로 움직이면 샤워 헤드는 움직인 거리의 2배만큼 이동한다. 이 제품은 다양한 사용자의 신체 조건과 사용 행태에 대응하여 사용할 수 있다.
76
Blue and White Porcelain
김유정You Jeong KimHanyang University / Republic of Korea
현은령Eunryung HyunHanyang University / Republic of Korea
황설풍
XueFeng Haung
Hanyang University / Republic of Korea
It is a white porcelain that was mainstream during the Qinghua White Porcelain period during the Yuan Dynasty of China. Computer graphic work was done to show the illustrations and forms of various Chinese blue and white porcelain containing old and various historical stories.
중국의 원나라때 청화백자 시대에 주류를 이루었던 백자기이다. 오래되고 여러 역사적인 이야기를 담고있는 다양한 중국의 청화백자의 일러스트레이션과 도자기의 형태를 보여주고자 컴퓨터 그래픽 작업을 하였다.
김유정You Jeong KimHanyang University / Republic of Korea
현은령Eunryung HyunHanyang University / Republic of Korea
황설풍
XueFeng Haung
Hanyang University / Republic of Korea
It is a white porcelain that was mainstream during the Qinghua White Porcelain period during the Yuan Dynasty of China. Computer graphic work was done to show the illustrations and forms of various Chinese blue and white porcelain containing old and various historical stories.
중국의 원나라때 청화백자 시대에 주류를 이루었던 백자기이다. 오래되고 여러 역사적인 이야기를 담고있는 다양한 중국의 청화백자의 일러스트레이션과 도자기의 형태를 보여주고자 컴퓨터 그래픽 작업을 하였다.
75
Harmonious Geometry Unveiled
김유진Yujin Kim
Kongju National University / Republic of Korea
The artwork "Harmonious Geometry Unveiled" intricately weaves diverse geometric shapes into a dynamic and balanced composition. Through the strategic arrangement of quarter circles, a central ring, triangles, and assorted rectangles, this piece explores the captivating interplay between symmetry, movement, and spatial depth.
김유진Yujin Kim
Kongju National University / Republic of Korea
The artwork "Harmonious Geometry Unveiled" intricately weaves diverse geometric shapes into a dynamic and balanced composition. Through the strategic arrangement of quarter circles, a central ring, triangles, and assorted rectangles, this piece explores the captivating interplay between symmetry, movement, and spatial depth.
74
Tranquility
김은혜Eunhye Kim
Pukyong National University / Republic of Korea
Crafted in delicate white silk, the dress serves as a canvas for exploring themes of harmony, unity, and tranquility. The chosen color white is not a mere aesthetic choice; it signifies the amalgamation of all colors, representing a unity that is both visual and conceptual. Beyond that, the hue embodies qualities of purity and peace, qualities that are universally sought yet rarely achieved.The fabric itself is another layer of artistic expression. The silk's delicate texture and subtle sheen work in tandem to elevate the themes the dress aims to portray. These physical characteristics of the silk not only add a tactile dimension to the concept but also amplify the notions of serenity and tranquility that are central to the piece.
김은혜Eunhye Kim
Pukyong National University / Republic of Korea
Crafted in delicate white silk, the dress serves as a canvas for exploring themes of harmony, unity, and tranquility. The chosen color white is not a mere aesthetic choice; it signifies the amalgamation of all colors, representing a unity that is both visual and conceptual. Beyond that, the hue embodies qualities of purity and peace, qualities that are universally sought yet rarely achieved.The fabric itself is another layer of artistic expression. The silk's delicate texture and subtle sheen work in tandem to elevate the themes the dress aims to portray. These physical characteristics of the silk not only add a tactile dimension to the concept but also amplify the notions of serenity and tranquility that are central to the piece.
73
2023~2024, The Hand
김정미
Jeongmee Kim
Pukyong National University / Republic of Korea
The inspiration for my work comes from the body, and I tried to express it by combining art and fashion. In this work, I experimented with natural materials such as cotton and chiffon, and the artificial hand.‘This work was supported by a Research Grant of Pukyong National University(2023)’
김정미
Jeongmee Kim
Pukyong National University / Republic of Korea
The inspiration for my work comes from the body, and I tried to express it by combining art and fashion. In this work, I experimented with natural materials such as cotton and chiffon, and the artificial hand.‘This work was supported by a Research Grant of Pukyong National University(2023)’
71
Alternative Reality
김태호Tae Ho Kim
Kookmin University / Republic of Korea
Alternative Reality was produced under the theme of “New perspective: Beyond the Imagination” as a series of works. An image composed of numerous layers happens to be a single shape that creates an exceptional square by artistic experiments. The reason why the word 'alternative' is attracting attention again lies in the unintended phenomenon and influence caused by the alternative existence of AI. I think vision may have been the most familiar sense for accepting the existence of AI for a long time.
대안적 사실 (Alternative Reality)이라는 주제로 제작된 본 작업은 새로운 시선 : Beyond Imagination의 시리즈로 제작되었다. Alternative Reality는 사실처럼 보여지는 사실이 아닌 것으로, 대안적 이지만 완벽한 일치를 이루지는 못함을 의미한다. 오렌지주스는 오렌지의 가상일 수 밖에 없는 것과 마찬가지 아닐까. 수많은 레이어의 층위로 구성되어진 이미지는 우연하게도 하나의 형태를 만들어낸다. 이것은 제작자로서 의도한 형태가 아니며 여러 조형적 실험과정을 통해 얻어진 결과물이다. 이런 의미에서 우연은 현실의 가상일수도 있겠다. ‘대안적’이라는 단어가 다시 주목받는 이유는 AI라는 대안적존재의결과로 인해 발생하는 의도 하지않 현상, 그리고 영향에 있다. 어쩌면 시각은 오래전부터 AI라는 존재를 받아들이는데 가장 익숙한 감각이었는지도 모른다.
김태호Tae Ho Kim
Kookmin University / Republic of Korea
Alternative Reality was produced under the theme of “New perspective: Beyond the Imagination” as a series of works. An image composed of numerous layers happens to be a single shape that creates an exceptional square by artistic experiments. The reason why the word 'alternative' is attracting attention again lies in the unintended phenomenon and influence caused by the alternative existence of AI. I think vision may have been the most familiar sense for accepting the existence of AI for a long time.
대안적 사실 (Alternative Reality)이라는 주제로 제작된 본 작업은 새로운 시선 : Beyond Imagination의 시리즈로 제작되었다. Alternative Reality는 사실처럼 보여지는 사실이 아닌 것으로, 대안적 이지만 완벽한 일치를 이루지는 못함을 의미한다. 오렌지주스는 오렌지의 가상일 수 밖에 없는 것과 마찬가지 아닐까. 수많은 레이어의 층위로 구성되어진 이미지는 우연하게도 하나의 형태를 만들어낸다. 이것은 제작자로서 의도한 형태가 아니며 여러 조형적 실험과정을 통해 얻어진 결과물이다. 이런 의미에서 우연은 현실의 가상일수도 있겠다. ‘대안적’이라는 단어가 다시 주목받는 이유는 AI라는 대안적존재의결과로 인해 발생하는 의도 하지않 현상, 그리고 영향에 있다. 어쩌면 시각은 오래전부터 AI라는 존재를 받아들이는데 가장 익숙한 감각이었는지도 모른다.
70
Wind Catcher
김한규Hankyu Kim
Incheon National University / Republic of Korea
The ‘Wind Catcher’ is a small size multi-purpose facility which uses the wind to adjust the micro-climate of the building to decrease the energy consumption. The ‘wind controlling walls’ block the seasonal wind exclusively during winter while open towards the blowing direction during summer to attract the winds to inside the building. The building is formed linearly to catch enough wind and divided into three sections depending on the program. This independent facility can be strategically located along the Han riverside and may be used as convenience facilities, water taxi stops, etc.
'Wind Catcher'는 바람을 보다 적극적으로 이용해 건축물의 에너지 소비를 줄이는 소형 다목적 시설입니다. 바람을 충분히 이용하기 위해 긴 선형의 형태를 취하고, 홍수에 대비하여 내부 공간은 바닥으로부터 떠 있습니다. ‘바람 제어 벽’은 겨울철에는 계절풍을 차단하고 여름철에는 개방하여 바람을 건물 내부로 끌어들입니다. 미세한 방향 조절을 통해 국지적 바람에도 대응하며 계단, 창고 등의 역할 하기도 합니다. 한강변의 적절한 위치에 배치할 수 있는 독립된 건축물로, 각종 편의시설과 수상택시 정류장 등으로 활용할 수 있습니다.
김한규Hankyu Kim
Incheon National University / Republic of Korea
The ‘Wind Catcher’ is a small size multi-purpose facility which uses the wind to adjust the micro-climate of the building to decrease the energy consumption. The ‘wind controlling walls’ block the seasonal wind exclusively during winter while open towards the blowing direction during summer to attract the winds to inside the building. The building is formed linearly to catch enough wind and divided into three sections depending on the program. This independent facility can be strategically located along the Han riverside and may be used as convenience facilities, water taxi stops, etc.
'Wind Catcher'는 바람을 보다 적극적으로 이용해 건축물의 에너지 소비를 줄이는 소형 다목적 시설입니다. 바람을 충분히 이용하기 위해 긴 선형의 형태를 취하고, 홍수에 대비하여 내부 공간은 바닥으로부터 떠 있습니다. ‘바람 제어 벽’은 겨울철에는 계절풍을 차단하고 여름철에는 개방하여 바람을 건물 내부로 끌어들입니다. 미세한 방향 조절을 통해 국지적 바람에도 대응하며 계단, 창고 등의 역할 하기도 합니다. 한강변의 적절한 위치에 배치할 수 있는 독립된 건축물로, 각종 편의시설과 수상택시 정류장 등으로 활용할 수 있습니다.
69
PUBLIC EV CAR PARK
김현수Hyun Soo Kim
Seoul National University / Republic of Korea
This work is a public EV Carpark. By accepting the request of the city of Seoul, which wanted to become a symbol of an “energy self-sufficient village,” and the request of a solar power company, which demanded the efficiency and economic feasibility of solar power, a 400-meter-long public EV carpark was proposed. A third of the carpark is designed as a place where electric vehicles can be charged. Arduino sensor prevents general vehicles from parking at electric vehicle charging stations, and it also to prevent long-term parking by alarming to user when fully charged.
본 작품은 태양광 발전과 전기차 충전을 결합한 공공 주차장이다. 서울시는 서대문구에 ‘에너지자립마을’을 위한 랜드마크가 될 만한 태양광 구조물을 원했고, 태양광회사는 태양광의 효율성 및 경제성을 중요시하였다. 따라서 기존의 약 400미터 길이의 야외 주차장을 공공 태양광 주차장으로 디자인하여, 메가스트럭처의 구조물로서 서울시에서 목표로 한 랜드마크의 효과와 태양광 회사에서 요구했던 효율성을 둘 다 만족시켰다. 주차장 중 삼분의 일을 전기차 충전이 가능한 곳으로 디자인하여 점차 늘어나는 전기차에 대비하도록 하였으며, 아두이노 센서에 의해 일반차량이 전기차 충전소에 주차하는 것을 방지하고, 장기 주차를 막기 위해 완충시 표시가 되는 디자인을 제안하였다.
김현수Hyun Soo Kim
Seoul National University / Republic of Korea
This work is a public EV Carpark. By accepting the request of the city of Seoul, which wanted to become a symbol of an “energy self-sufficient village,” and the request of a solar power company, which demanded the efficiency and economic feasibility of solar power, a 400-meter-long public EV carpark was proposed. A third of the carpark is designed as a place where electric vehicles can be charged. Arduino sensor prevents general vehicles from parking at electric vehicle charging stations, and it also to prevent long-term parking by alarming to user when fully charged.
본 작품은 태양광 발전과 전기차 충전을 결합한 공공 주차장이다. 서울시는 서대문구에 ‘에너지자립마을’을 위한 랜드마크가 될 만한 태양광 구조물을 원했고, 태양광회사는 태양광의 효율성 및 경제성을 중요시하였다. 따라서 기존의 약 400미터 길이의 야외 주차장을 공공 태양광 주차장으로 디자인하여, 메가스트럭처의 구조물로서 서울시에서 목표로 한 랜드마크의 효과와 태양광 회사에서 요구했던 효율성을 둘 다 만족시켰다. 주차장 중 삼분의 일을 전기차 충전이 가능한 곳으로 디자인하여 점차 늘어나는 전기차에 대비하도록 하였으며, 아두이노 센서에 의해 일반차량이 전기차 충전소에 주차하는 것을 방지하고, 장기 주차를 막기 위해 완충시 표시가 되는 디자인을 제안하였다.
66
Generative Design Chair
나한범
Hanbeom Na
Zendesign Plan / Republic of Korea
The generative design chair was created by generating the structure of the chair based on engineering algorithms that consider the load requirements for the chair. The structure and form of the chair were designed based on this.
나한범
Hanbeom Na
Zendesign Plan / Republic of Korea
The generative design chair was created by generating the structure of the chair based on engineering algorithms that consider the load requirements for the chair. The structure and form of the chair were designed based on this.
65
Transformable Structure
남윤진Yoonjin Nam
Ewha Womans University / Republic of Korea
The zippers placed on the human body have a transformable structure. Irregular opening and closing of zippers derive various silhouettes and expand the space of dynamic modeling.
인체 위에 놓인 지퍼들은 변형가능한 구조로 이루어져 있다. 지퍼의 불규칙한 개폐는 다양한 실루엣을 파생시키며 역동적인 조형의 공간을 확장한다.
남윤진Yoonjin Nam
Ewha Womans University / Republic of Korea
The zippers placed on the human body have a transformable structure. Irregular opening and closing of zippers derive various silhouettes and expand the space of dynamic modeling.
인체 위에 놓인 지퍼들은 변형가능한 구조로 이루어져 있다. 지퍼의 불규칙한 개폐는 다양한 실루엣을 파생시키며 역동적인 조형의 공간을 확장한다.